If there are any spectators directly to your left, you should develop the knack of being able to hold the deck so that they cannot see the top. The only angles of concern are from the bottom (usually safe) and from above and to the left. Its orientation with respect to the rest of the deck is almost entirely hidden by the right hand. Toward its inner end, the minimally-exposed left long side of the angled card is touching your right thumb. An exposed view of the necessary configuration is provided in Figure 3.Īs is clear in the illustration, the card under control is angled considerably to the right of the deck. Further, it also breaks the motion of the controlled card, adding to the illusion that the card is now square with the rest of the deck. The mock-square recommended above provides opportunity to obtain the ideal position in a well-motivated manner. As discussed in The Annotated Erdnase, if the position of the left pinky is either too low or too high on the exposed edge of the controlled card, the seamless swivel into full palm to follow will be compromised. The repositioning of the controlled card by this mock squaring action is described by Dai Vernon in Revelations. The left pinky slides under the now angle-jogged card and rests on its exposed long side. The thumb recedes no further than the middle of the deck, and then immediately returns to its proper place at the outer left corner of the deck. The action of the pinky is hidden under your right hand, and the action of the thumb mimics a squaring action. As soon as this position is obtained, the left thumb draws back while the left pinky maintains the relative orientation between the deck and controlled card. The reader should note, however, that this figure is an exposed view, taken from the perspective of the floor. Your left thumb is against the side of the outer left corner of the deck and the left pinky is against the side of the inner right corner of the deck as in Figure 1. The card to be controlled is slid into the middle of the deck until it is out-jogged for about an inch and a half. To begin, the single card is in the right hand and the deck is in a left-hand dealing grip. The mechanics of the Diagonal Palm Shift result in a card being inserted into the deck from the outer short side only to be immediately removed from the inner side in a full left-hand palm. Here, the cozier position of both hands eliminates the weakness from the right and reduces the bad angles from the left at the same time. In Erdnase, all of the DPS illustrations were drawn from the exposed right side. The present description will incorporate a number of the elements from these previous authors. Unfortunately, existing descriptions of the DPS (including this one, without a doubt) suffer from the fact that the move requires somewhat of a "knack." To build a comprehensive picture, the serious student is encouraged to study Revelations and to consult Darwin Ortiz’ annotations on the move as well as the advice of both Roger Klause and Pat Cook (found in The Annotated Erdnase). It is believed that the author of this seminal work invented the Diagonal Palm Shift. The primary source for the Diagonal Palm Shift (DPS) is The Expert at the Card Table by S. Diagonal Palm Shift is a card slight that controls a card which has has been replaced into the middle of the deck and then moving it secretly diagonally through the deck until it can be palmed out.
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